Several of my works, including selections from Survival Series (pictured here), have been included in Body Marks: Ariel Baron-Robbins, Ellen Mueller, and Michael Namkung at OSU Fairbanks Gallery, February 11 – March 7, 2019. Stop by if you’re in the area!
OSU Fairbanks Gallery
306 Fairbanks Hall
220 SW 26th Street
Corvallis, OR 97331
February 11 – March 7, 2019
Hours: Monday – Friday, 8 am – 5 pm
I am excited to be chairing a panel at the SECAC Conference in Chattanooga TN, Oct 16-19, 2019, entitled, Professional Practices and the MFA. I’m looking for presenters. Here’s the abstract:
MFA programs are the terminal degree for artists and designers, with many intending to launch a career as an exhibiting artist or as a professor in higher education. As anyone who has participated in an MFA program can share, graduates actually end up going into a much wider plurality of careers upon completion. With the high cost of participation, in terms of both time and money, there is a convincing argument that MFA programs need to take more responsibility for career development and preparation. The question then, is how to support MFA students in those next steps after graduation. For this panel, we will be focusing on wide-ranging manifestations of professional development in MFA programs. What are programs considering core competencies in terms of professional practices? What are the time-tested strategies, and what are emerging as new professional practices for MFA students? What is the vision for the future? Proposals welcome from faculty, grad students, administrators, and others.
Proposals are due by April 1, 2019. SECAC membership is required if your presentation is accepted. Conference registration fee is required of all. Visit this link to submit your presentation proposal: https://secac.secure-platform.com/a/solicitations/home/5 To submit, select “Studio Art” from the drop-down menu, and then a new drop-down will appear where you can click the title of my panel:
If you’ve never written a conference proposal before, here’s a great article about how to write one.
Conference Dates: October 16 – 19, 2019
Venue: The Chattanoogan Hotel, 1201 Broad St
Conference Directors: Katie Hargrave and Christina Vogel
Call for Papers Dates: February 1 – April 1, 2019
Please share far and wide! I would love to hear from a wide variety of interested people.
Three drawings from Erma Series have been selected for the juried exhibition, Miles of Separation, at Drury University’s C-Street Gallery. This show explores the way humans travel across the planet for asylum, weather events, luxury, exploration, or the need to relocate.
C Street Gallery
233 E Commercial St
Springfield, Missouri 65803
Feb. 1-22, 2019
Monday – Thursday 11 a.m. – 3 p.m.
Friday: 11 a.m. – 6 p.m.
Saturday: 10 a.m. – 2 p.m.
First Friday Receptions: 5 – 8 p.m. monthly
Karen Gergely and I are co-chairing a panel at the CAA Conference in NYC, entitled, Social Practice & Service Learning. Join us Thursday, February 14, 2-3:30pm at New York Hilton Midtown – Concourse G. The panelists include:
Improving Social Practice through Service Learning Pedagogy
Kimberly Callas, Monmouth University
Art in Public: Audiencing and Engagement
Jennifer E. Ustick, University of Cincinnati
Empathy and Politics: Negotiating Student Approaches and Community Impact
Leslie M. Robison, Flagler College
Metropolis—Studying in the City
Karni Barzilay, Curator of Kav 16 – Community Gallery for Contemporary Art, Tel Aviv
This is going to be a blast, AND I’ll be distributing a limited run of my ongoing series of zines focused on social practice at this panel!
New York Hilton Midtown
1335 6th Ave
New York, NY 10019
Crunching, a video piece made during a residency at Playa Artist Residency in Oregon, is set on the edge of a lake that dries up every summer due to commercial irrigation. It depicts various textures that, while appealing, also reflect a strained relationship between natural processes and human exploitation.
This work will be featured in the Body + Camera Festival, which presents a broad spectrum of contemporary work in experimental, dance, and performance film, and includes special screenings and artist talks aimed at provoking discussion around the event’s theme. This year’s films were selected from over 1,700 international submissions by a jury of experienced members of the performance and film community, and organized into five distinct programs and installations.
Crunching is a part of the Convening program: eight films that explore our ongoing search for physical intimacy with nature.
Mana Contemporary, New Jersey City, NJ
January 26, 2019 — 11am-5pm
888 Newark Ave.
Jersey City, NJ 07306